and his eyelids. The snow will cover me like a thick white
"This is the greatest work that I have ever done," exclaimed he. "Listen to it, Hortebise, and you shall see how it is that I hold firmly, at the same time, both the Duke and Duchess of Champdoce, and Diana the Countess of Mussidan. Listen to me, Catenac,--you who distrusted me, and were ready to play the traitor, and tell me if I do not grasp success in my strong right hand." Then, holding out the roll of papers to Paul, he cried, "And do you, my dear boy, take this and read it carefully. Let nothing escape you, for there is not one item, however trivial it may seem to you, that has not its importance. It is the history of a great and noble house, and one in which you are more interested than you may think."
Paul opened the manuscript, and, in a voice which quivered with emotion, he read the facts announced by Mascarin, which he had entitled "The Mystery of Champdoce."
The conclusion of this exciting narrative will be found in the volume called "The Mystery of Champdoce."
Studies and Essays: Censorship and Art
"Je vous dirai que l'exces est toujours un mal."
Since, time and again, it has been proved, in this country of free institutions, that the great majority of our fellow-countrymen consider the only Censorship that now obtains amongst us, namely the Censorship of Plays, a bulwark for the preservation of their comfort and sensibility against the spiritual researches and speculations of bolder and too active spirits--it has become time to consider whether we should not seriously extend a principle, so grateful to the majority, to all our institutions.
For no one can deny that in practice the Censorship of Drama works with a smooth swiftness--a lack of delay and friction unexampled in any public office. No troublesome publicity and tedious postponement for the purpose of appeal mar its efficiency. It is neither hampered by the Law nor by the slow process of popular election. Welcomed by the overwhelming majority of the public; objected to only by such persons as suffer from it, and a negligible faction, who, wedded pedantically to liberty of the subject, are resentful of summary powers vested in a single person responsible only to his own 'conscience'--it is amazingly, triumphantly, successful.
Why, then, in a democratic State, is so valuable a protector of the will, the interests, and pleasure of the majority not bestowed on other branches of the public being? Opponents of the Censorship of Plays have been led by the absence of such other Censorships to conclude that this Office is an archaic survival, persisting into times that have outgrown it. They have been known to allege that the reason of its survival is simply the fact that Dramatic Authors, whose reputation and means of livelihood it threatens, have ever been few in number and poorly organised--that the reason, in short, is the helplessness and weakness of the interests concerned. We must all combat with force such an aspersion on our Legislature. Can it even for a second be supposed that a State which gives trial by Jury to the meanest, poorest, most helpless of its citizens, and concedes to the greatest criminals the right of appeal, could have debarred a body of reputable men from the ordinary rights of citizenship for so cynical a reason as that their numbers were small, their interests unjoined, their protests feeble? Such a supposition were intolerable! We do not in this country deprive a class of citizens of their ordinary rights, we do not place their produce under the irresponsible control of one not amenable to Law, by any sort of political accident! That would indeed be to laugh at Justice in this Kingdom! That would indeed be cynical and unsound! We must never admit that there is no basic Justice controlling the edifice of our Civic Rights. We do, we must, conclude that a just and well- considered principle underlies this despotic Institution; for surely, else, it would not be suffered to survive for a single moment! Pom! Pom!